Yes, you can look at it as a forerunner of CSI, but it is also a terrific film. And if that does not seal the deal for you, this is the film that John Sturges’s direction on The Capture (1950; see US#61) got him as a tryout at MGM. And if that is still not enough for you, the cinematographer was the greatest of all the film noir cameramen, John Alton, at the height of his powers. Continue reading “Rosetta is in love with Lorenzo, who says he will leave Nene but really won’t”
TLCFIRE – Terri Leyton Consulting
Fire Sprinklers Save Lives!